I knew there was a reason that I wasn't crazy about Timothée Chalamet. And that was before he caused a stir by making disparaging remarks about opera and ballet.
It turns out I've seen Chalamet in a bunch of movies: Little Women in 2019, the first part of Dune in 2021, the ill-advised (the film itself, not the role for Chalamet) Wonka in 2023, and A Complete Unknown (the Bob Dylan biopic) in 2024. I liked him as Laurie in Little Women. I thought he was okay in Wonka despite the dismal film concept (nobody needed Willy Wonka's origin story). And I didn't like him much as Dylan, although that may have been because I find the real Dylan annoying. As for Dune, Chalamet was decent, but I didn't like the film overall; I thought it moved too slowly and was overly impressed with itself. (I admit I was never a fan of the novels and only watched the first movie for the sandworms, which pissed me off by showing up really late in the proceedings. Haven't seen the second one yet. Might not ever.)
Anyway, in short, Chalamet is a big star. And he has caused a ruckus by claiming in an interview that "no one cares about" opera and ballet. It's not the first time he's dissed the classical arts; back in 2019, he was quoted as calling opera and ballet dying art forms. I'm not linking to his comments because they're easy enough to find with a web search; they've been reported widely, as has the blowback he's received from other famous people.
I am not famous, and I'm not even sure I want to criticize him. Everybody's entitled to an opinion (even if it's wrong, heh). Plus he's only 30. I don't mean to imply that he's too young to know what he's talking about -- he has ballet performers in his family, after all. But this situation puts me in mind of a conversation I overheard probably 30 years ago in which some tweens were dissing the Beatles, saying their music was terrible. I was tempted to explain to them that their favorite music wouldn't exist without the Beatles breaking new ground in the '60s. And I'm somewhat tempted to explain to Chalamet that his own art form wouldn't exist if the classical arts hadn't paved the way.
But those kids wouldn't have cared, and Chalamet wouldn't care. So I'll just say this: I like opera. I even like it well enough to get the t-shirt.
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| Left to right: 2023, 2025, and 2021. Lynne Cantwell 2026 |
I like classical music, too, which I'm sure Chalamet would also have dissed had he thought of it. I went to hear the Assad Brothers, who are Brazilian classical guitarists, when they were at the Lensic here in town a couple of weeks ago. (Scroll down at the link to the video to hear them perform.)
I'm not a huge fan of dance in general, but I appreciate the training and discipline that goes into the art, and I would sit through a ballet without complaining.
But as I said above, everybody's entitled to an opinion. I'm sure some folks would be aghast at me complaining about Dune (fans tend to be gobsmacked when I tell them Frank Herbert struck me as a misogynist*) or saying that I think Bob Dylan is annoying.
The thing is, the classical arts have been reported to be at death's door pretty much all of my adult life. Furthermore, radio was supposed to die when television came in. CDs were going to kill off live music, not to mention vinyl records. COVID endangered the continued existence of movie theaters.
The arts are expensive. But every artistic discipline seems to be amazingly fluid, and their deaths have been, time and again, greatly exaggerated. No matter what Timothée Chalamet says.
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We might discuss A.I. another time.
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* "But what makes you think Frank Herbert was a misogynist, Lynne? What about the Bene Gesserit?" So yeah, about them: They are certainly powerful, and they exert tremendous influence on both politics and society. But they are also manipulative, and they operate in the shadows. Do they wield overt power? No. Are any of them sympathetic characters? Also no. Could one of them become, say, emperor? Not a chance -- the Bene Gesserit's place is behind the throne.
The first Dune novel appeared in 1965. The Bene Gesserit might have seemed an enlightened view of womanhood back then, but c'mon. You can't continue to argue that today. You couldn't even argue it when I first read Dune in the '80s.
But this is -- all together now -- just my opinion.
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These moments of opinionated blogginess have been brought to you, as a public service, by Lynne Cantwell.



