Stolen from https://www.brit.co/wicked-movie/ |
It's still playing in theaters, but I chose to pony up $20 to see it on my TV at home. It was definitely worth the cost.
The story, in one form or another, has been with me for most of my life. When I was a kid, I watched the original movie, The Wizard of Oz, every year when it ran on TV. I also read L. Frank Baum's novel that started everything off (plus a couple of the sequels). Pretty sure I saw The Wiz at some point, too.
Then Gregory Maguire's version of the Wicked Witch's story was published in 1995, and turned the whole thing on its head. One of my daughters read the novel first, then loaned it to me. After decades of rooting for Dorothy, reading the ending of that book seriously messed with my head.
We saw a touring production of Wicked the musical at the Kennedy Center in 2011. So of course I wanted to watch the screen version to see if it matched up. It did not disappoint. Cynthia Erivo is terrific as Elphaba, and Ariana Grande is perfect as Galinda/Glinda. Michelle Yeoh seems to be everywhere these days (Star Trek: Section 31 starts in just a couple of weeks), and she is as wonderful as always as Madame Morrible, both before and after her true nature is revealed. Jeff Goldblum is sorta typecast as the Wizard. Jonathan Bailey does a great job as Fiyero, the bad boy who turns the heads of both Glinda and Elphaba. (I couldn't remember where I'd seen him before; it turns out he plays Anthony on Bridgerton.)
It will come as no surprise to anyone that the movie has whizbang special effects -- much more so, of course, than the stage version, where Elphaba just flying, live on stage, was impressive.
Speaking of the casting, there have been some complaints among certain factions, particularly in regard to Erivo as Elphaba -- because Erivo is Black, and there has been no effort to make her appear less so. I think it's important to note that "woke" casting goes way back for this show; the original scriptwriters were Jewish, and Idina Menzel, who is also Jewish, originated the role of Elphaba on Broadway. Elphaba's whole thing is not just her magical ability, but that she's green. She's clearly used to getting a lot of flak for her skin color, and it seems like it would be a no-brainer to cast someone in the role who has lived experience as an "other" throughout her life. Plus Erivo does a great job in the role. So, y'know, whatever.
Grande has also been the target of criticism for being cast as Glinda, but she's not just a pop singer -- she got her start on Broadway.
I'm a bit bummed that the movie only covers the first part of Elphaba's story, although it shouldn't have been unexpected; it seems like Hollywood has lost the ability to wrap up a story in under two hours. But I get that "Defying Gravity" was written to send the theater audience to intermission on a high, and it would be asking a lot of a movie audience to just pivot to the next scene without some time to catch a breath.
I'll be interested to see how they handle the second half of the story. The material is a lot darker than in the first half; the ending should be absolutely wrenching. I can't help but think of a comment I overheard from someone leaving the movie version of Into the Woods: "They should have stopped it at intermission," or words to that effect. Guaranteed there will be viewers of Wicked: For Good who will feel the same way. Here's hoping they take time to read the book between now and November, so they have some sense of whether to see it at all.
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I may be taking some time off from blogging here shortly. I'm heading into the busy season at work -- the state legislature starts a 60-day session January 21, and we're gearing up for it now. On top of that, I've signed myself up for two online classes. One is a five-session class on the Celtic god Cernunnos offered by John Beckett and Jason Mankey, which starts the week after next. The other one is a seven-week course in beginning Irish that starts next Sunday. Yeah, I'm gonna try learning that blasted language again. I won a contest for a free course from Let's Learn Irish, and I could hardly turn it down.
Anyway, the point being that it's gonna be a busy winter here at La Casa Cantwell. Something may have to give. If blogging ends up being that something, I'll try to let you know in advance.
I may go mad by mid February. But I might come out the other side with some ideas for another book. Weirder things have happened.
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These moments of musical blogginess have been brought to you, as a public service, by Lynne Cantwell. Stay safe!